A Clockwork Orange (film) - Wikipedia. A Clockwork Orange is a 1. Stanley Kubrick, based on Anthony Burgess's 1. A Clockwork Orange. It employs disturbing, violent images to comment on psychiatry, juvenile delinquency, youth gangs, and other social, political, and economic subjects in a dystopian near- future Britain. Alex (Malcolm Mc. Dowell), the main character, is a charismatic, sociopathic delinquent whose interests include classical music (especially Beethoven), rape, and what is termed . He leads a small gang of thugs (Pete, Georgie, and Dim), whom he calls his droogs (from the Russian word . The film chronicles the horrific crime spree of his gang, his capture, and attempted rehabilitation via controversial psychological conditioning. Alex narrates most of the film in Nadsat, a fractured adolescent slang composed of Slavic (especially Russian), English, and Cockney rhyming slang. The soundtrack to A Clockwork Orange features mostly classical music selections and Moog synthesizer compositions by Wendy Carlos (then known as Walter Carlos). The artwork for the now- iconic poster of A Clockwork Orange was created by Philip Castle with the layout by designer Bill Gold. In futuristic London, Alex De. Large is the leader of his . One night, after getting intoxicated on drug- laden . They drive to the country home of writer F. Alexander and beat him to the point of crippling him for life. Alex then rapes his wife while singing . The next day, while truant from school, Alex is approached by his probation officer Mr. A short summary of Anthony Burgess's A Clockwork Orange. This free synopsis covers all the crucial plot points of A Clockwork Orange. Deltoid, who is aware of Alex's activities and cautions him. Alex's droogs express discontent with petty crimes and want more equality and high yield thefts, but Alex asserts his authority by attacking them. Later, Alex invades the home of a wealthy . On hearing sirens, Alex tries to flee but Dim smashes a bottle on his face, stunning him and leaving him to be arrested by the police. With Alex in custody, Mr. A Clockwork Orange study guide contains a biography of Anthony Burgess, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Jump to: navigation, search. For the Stanley Kubrick film based on this novel, see A Clockwork Orange (film). A Clockwork Orange was released 40 years ago – but has Kubrick's film lost its power to shock? As it screens at Cannes, Steve Rose looks at how it went from infamy. A Clockwork Orange adalah film karya sutradara Stanley Kubrick tahun 1971 yang berdasarkan novel berjudul yang sama karya Anthony Burgess. Film ini pemerannya antara. Clockwork Orange, Los Angeles, California. A Clockwork Orange may refer to: A Clockwork Orange, a 1962 novel by Anthony Burgess; A Clockwork Orange, a film directed by Stanley Kubrick based on the novel. A Clockwork Orange is entertaining in a bizarre weird way which probably doesn't say much for those who like it and give it a 5 star rating. Deltoid gloats that the woman he attacked died, making Alex a murderer. He is sentenced to 1. Two years into the sentence, Alex eagerly takes up an offer to be a test subject for the Minister of the Interior's new Ludovico technique, an experimental aversion therapy for rehabilitating criminals within two weeks. Alex is strapped to a chair, injected with drugs, and forced to watch films of sex and violence with his eyes propped open. Alex becomes nauseated by the films, and then recognizes the films are set to music of his favorite composer, Ludwig van Beethoven. Fearing the technique will make him sick upon hearing Beethoven, Alex begs for the end of the treatment. Two weeks later, the Minister demonstrates Alex's rehabilitation to a gathering of officials. Alex is unable to fight back against an actor that taunts and attacks him, and becomes ill at the sight of a topless woman. The prison chaplain complains Alex has been robbed of his freewill, but the Minister asserts that the Ludovico technique will cut down crime and alleviate crowding in the prisons. Alex is let out as a free man, only to find his parents have sold his possessions as restitution to his victims, and have lent out his room. Alex encounters an elderly vagrant that he had attacked years earlier, and the vagrant and his friends attack him. Alex is saved by two policemen, but shocked to find they are his former droogs Dim and Georgie. They drive him to the countryside, beat him up, and nearly drown him before abandoning him. Alex barely makes it to the doorstep of a nearby home before collapsing. Alex wakes up to find himself in the home of Mr. Alexander and cared for by his manservant, Julian. Alexander does not recognize Alex from the previous attack but knows of Alex and the Ludovico technique from the newspapers. He sees Alex as a political weapon, and prepares to present him to his colleagues. While bathing, Alex breaks into . Alexander to realise that Alex was the person who assaulted him and his wife. With help from his colleagues, Alex is drugged and locked in an upstairs bedroom, Beethoven's Ninth Symphony playing loudly from the floor below. Alex is unable to withstand the sickening pain and attempts suicide by throwing himself out the window, falling unconscious on the ground. Alex wakes up in a hospital with broken bones. While being given a series of psychological tests, Alex finds that he no longer has an aversion to violence or sex. The Minister arrives and apologizes to Alex. He offers to take care of Alex and get him a job in return for his cooperation with his election campaign and public relations counter- offensive. As a sign of goodwill, the Minister brings in a stereo system playing Beethoven's Ninth. Alex then contemplates violence and has vivid thoughts of himself having sex with a woman in front of an approving crowd, thinking: . It is, at the same time, a running lecture on free- will. His goodness is involuntary; he has become the titular clockwork orange . In the prison, after witnessing the Technique in action on Alex, the chaplain criticises it as false, arguing that true goodness must come from within. This leads to the theme of abusing liberties . Alexander fears the new government; in telephonic conversation, he says. Oh, we've seen it all before in other countries; the thin end of the wedge! Before we know where we are, we shall have the full apparatus of totalitarianism. Alexander (the Dissident Intellectual) on the excuse of his endangering Alex (the People), rather than the government's totalitarian regime (described by Mr. It is unclear whether or not he has been harmed; however, the Minister tells Alex that the writer has been denied the ability to write and produce . Lighter forms of pornographic content adorn Alex's parents' home and, in a later scene, Alex awakens in hospital from his coma, interrupting a nurse and doctor engaged in a sexual act. Psychology. Burgess disapproved of behaviourism, calling Skinner's book Beyond Freedom and Dignity (1. The film's Ludovico technique is widely perceived as a parody of aversion therapy which is a form of classical conditioning. The implication is that all of the images, both real and imagined, are part of Alex's fantasies. Psychiatrist Aaron Stern, the former head of the MPAA rating board, believed that Alex represents man in his natural state, the unconscious mind. Kubrick told film critics Philip Strick and Penelope Houston that he believed Alex . He is the very personification of evil. On the other hand, he has winning qualities: his total candour, his wit, his intelligence and his energy; these are attractive qualities and ones, which I might add, which he shares with Richard III. He also helped Kubrick on the uniform of Alex's gang, when he showed Kubrick the cricket whites he had. Kubrick asked him to put the box (jockstrap) not under but on top of the costume. The doctor standing next to him in the scene, dropping saline solution into Alex's forced- open eyes, was a real physician present to prevent the actor's eyes from drying. Mc. Dowell also cracked some ribs filming the humiliation stage show. This effect was achieved by dropping a Newman Sinclair clockwork camera in a box, lens- first, from the third story of the Corus Hotel. To Kubrick's surprise, the camera survived six takes. Screenplay writer. Terry Southern gave Kubrick a copy of the novel, but, as he was developing a Napoleon Bonaparte. Kubrick's wife, in an interview, stated she then gave him the novel after having read it. It had an immediate impact. Of his enthusiasm for it, Kubrick said, . The story functions, of course, on several levels: Political, sociological, philosophical, and, what's most important, on a dreamlike psychological- symbolic level. Despite this enthusiasm, he was concerned that it lacked the novel's redemptive final chapter, an absence he blamed upon his American publisher and not Kubrick. All US editions of the novel prior to 1. Burgess reports in his autobiography You've Had Your Time (1. Kubrick at first enjoyed a good relationship, each holding similar philosophical and political views and each very interested in literature, cinema, music, and Napoleon Bonaparte. Burgess's novel Napoleon Symphony (1. Kubrick. Their relationship soured when Kubrick left Burgess to defend the film from accusations of glorifying violence. A lapsed Catholic, Burgess tried many times to explain the Christian moral points of the story to outraged Christian organizations and to defend it against newspaper accusations that it supported fascist dogma. He also went to receive awards given to Kubrick on his behalf. Despite the benefits Burgess made off the film, he was in no way involved in the production of the book's adaptation. Also, the only profit he made off the film was the initial $5. So meticulous was Kubrick that Mc. Dowell stated . He just likes total control. Technically, to achieve and convey the fantastic, dream- like quality of the story, he filmed with extreme wide- angle lenses. The teenage slang has a heavily Russian influence, as in the novel; Burgess explains the slang as being, in part, intended to draw a reader into the world of the book's characters and to prevent the book from becoming outdated. There is some evidence to suggest that the society is a socialist one, or perhaps a society evolving from a failed socialism into a fully fascist society. In the novel, streets have paintings of working men in the style of Russian socialist art, and in the film, there is a mural of socialist artwork with obscenities drawn on it. As Malcolm Mc. Dowell points out on the DVD commentary, Alex's residence was shot on failed Labour Party architecture, and the name . Later in the film, when the new right- wing government takes power, the atmosphere is certainly more authoritarian than the anarchist air of the beginning. Kubrick's response to Ciment's question remained ambiguous as to exactly what kind of society it is.
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